WORK IN PROGRESS


WORK IN PROGRESS




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Animals Have Died

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How Many Animals Have Died for Damien Hirst’s Art to Live? We Counted. Nearly one million, by our conservative estimate. Damien Hirst is back . More than a decade after he last made headlines, the artist has a new exhibition at François Pinault’s Palazzo Grassi and Punta Della Dogana in Venice with a new body of work that delves into the imagined story of an ancient collector and the shipwreck that consigned his treasures to the bottom of the sea. One of the many noteworthy elements of the show? It doesn’t contain the unusual art material that has powered Hirst’s most famous work: the dead bodies of animals. Ever since his explosive entry to the British art scene with his 1990 masterpiece  One Thousand Years —a vitrine featuring a rotting cow skull that breeds maggots that become flies that meet their end from a buzzing bug zapper above—Hirst has made mortality the great theme of his oeuvre. He deploys real cadavers in gallery settings to confront viewers with the...
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Protest Against Rape Culture

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David Choe’s Controversial Bowery Mural Targeted in Protest Against Rape Culture The art world is protesting after David Choe bragged about a questionable sexual encounter. The Bowery Mural, currently home to a controversial work by street artist David Choe, will be the site of an anti-rape protest and performance art piece titled “NO MEANS NO” on June 18. The high-profile street art location has come under fire for offering a platform to Choe, after he bragged about a sexual encounter that sounded anything but consensual. The protest is organized by curator Jasmine Wahi, co-owner and director of the Gateway Project Spaces, and founder and director of Project For Empty Space, both in Newark. “This piece is intended to examine examples of violent and predatory misogyny,” reads the Facebook invite to the event. “Our aim is to provoke widespread rejection of the continued normalization of rape culture by bringing visibility to the topic.” Th...
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Radical Women

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‘Radical Women’ at the Hammer Museum Is the Kind of Show That Art Critics Live For It leaves you wanting more, and asking questions. “ Radical Women: Latin American Art, 1960-1985 ” at the  Hammer Museum  in Los Angeles, is not just a fantastic exhibition. It’s the kind of exhibition that people always  say  we need more of—as regular as a ticking clock—every time the latest selfie-courting contemporary-art spectacular provokes a new spasm of anguish from critics about the decline of the museum. Based on six years of research, “Radical Women” is a serious and scholarly show. And yet at the same time it feels like its own kind of crowd-pleaser. You don’t have to choose between being smart and being popular if you’re telling a story that feels necessary. And “Radical Women” has necessary stories to spare. Installation view of “Radical Women.” Image: Ben Davis. The show brings together 116 female artists hailing from ...
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