WORK IN PROGRESS


WORK IN PROGRESS




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Venice Biennale

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The 5 Biggest Controversies in Venice Biennale History The grand exhibition hasn't always covered itself in glory. Henri Neuendorf ,  May 9, 2017 The Grand Canal in Venice. Photo: MIGUEL MEDINA/AFP/Getty Images. The Venice Biennale is the grandest event in the art calendar—an international exhibition designed to compare and contrast world cultures through visual art. Yet the Biennale’s stature has not inoculated it against controversy over the years. The exhibition has suffered several dust-ups in its 114-year history, from vexing grand prize winners to derogatory showcases of “primitive” African art. On the eve of the opening of the 57th edition of the Biennale, we examine the historic festival’s five most contentious controversies. The Icelandic Pavilion at the 2015 Venice Biennale. Photo: alvendia1 via Instagram. Christoph Büchel Turns a Deconsecrated 10th Century Church Into a Mosque (2015) Police in Venice shut down Swi...
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Radical Women

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‘Radical Women’ at the Hammer Museum Is the Kind of Show That Art Critics Live For It leaves you wanting more, and asking questions. “ Radical Women: Latin American Art, 1960-1985 ” at the  Hammer Museum  in Los Angeles, is not just a fantastic exhibition. It’s the kind of exhibition that people always  say  we need more of—as regular as a ticking clock—every time the latest selfie-courting contemporary-art spectacular provokes a new spasm of anguish from critics about the decline of the museum. Based on six years of research, “Radical Women” is a serious and scholarly show. And yet at the same time it feels like its own kind of crowd-pleaser. You don’t have to choose between being smart and being popular if you’re telling a story that feels necessary. And “Radical Women” has necessary stories to spare. Installation view of “Radical Women.” Image: Ben Davis. The show brings together 116 female artists hailing from ...
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Up to $31 Million

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Sotheby’s Snags Turner Landscape, to Be Offered This Summer for Up to $31 Million If it makes its high estimate, it will be among Turner's top-selling canvases. Sotheby’s London  will test the heights of the market for British art this July with what could be one of the top-selling paintings by  Joseph Mallord William Turner , currently the best-selling British-born artist on the market. Measuring four feet wide,  Ehrenbreitstein  (1835) shows the ruins of the titular fortress, near the German city of Coblenz, and is estimated at £15–25 million ($18.7–31.2 million). If the canvas makes its high estimate, it will rank as the English painter’s fourth-priciest work at auction, according to the  artnet Price Database . Turner’s two highest prices have come in just the last seven years; the artist’s current auction high is $47.6 million, achieved at  Sotheby’s London  in December 2014 with  Rome (from Mount Aventine) , also of 1835; ...
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